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One photo - three creative edits in Luminar Neo and Photoshop

 Creating Three Moody Images out of One Shot I initially didn't plan to create three or more different images out of this photograph. I wanted to see how I can edit this foggy somehow chaotic forest image in Luminar Neo. I liked the atmosphere and I can still recall the morning I took this photo. I knew I had to make a lot of chnages , because of all the distracting twigs on the left and right hand side as well as at the top of the frame. First Step - Editing in Luminar Neo I usually develop my images in Lightroom Classic  but decided to use Luminar Neo this time because I wanted to see how their various creative in part AI powered tools inspire me. Basic edits were quickly done. I usually start with Luminar's Enhance AI, I found this tool often leads to considerable improvements to build upon. I then moved to the Develop section to make further basic adjustments such as exposure, highlights, shadows, contrast and so on until I am satisfied.  As this image has almost no colour

Frosty Morning - Selective Texturizing

Hello,

today I have chosen a photo of a very frosty and cold winter morning from last year. It is a suitable example of how I texturize my pictures these days. I more & more use Photoshop's opportunities to selectively apply my textures using layer masks, different blending modes and gradients.  To keep it simple and for you to better follow what I have done, I have limited myself to essentially three easy techniques in this photo (usually it is a lot more work....)

The final result:

Frosty Morning

Creating a Vertorama

To create this view I stitched these two pictures in Photoshop and created a vertorama. Here are the two photos before I combined them in PS:



FM 1
FM 2

The vertical panorama that was the start for my further processing looked like this:


What I really like about stitching photos is, that you get a very large photo to work with. This is about 25 mp large!


Processing with Textures

There is no colour to speak of (and this is not a b&w conversion!) and the sky was just plain white or the clouds were not discernible. So I wanted to add some structure to the sky. Browsing through my texture files I came across my Light Grunge texture that I wanted to have for the sky:


Light Grunge




I selected only the sky and the bright parts of the tree tops and erased the rest of the texture to get some structure to the featureless white sky.

Next I chose my "overcast" texture, because I hoped to brighten the middle part of the picture, especially the trees and the bushes.
Overcast
As this texture provides a vignette ( a brighter middle) I was satisfied with the effect it had by using only a blending mode (overlay). I didn't have to erase any parts of the texture - so sometimes selective texturizing can be achieved simply by chosing the right blending mode and texture.

But the picture still looked a bit dull to me and I wanted to have some cold blue/green hues as well as a subtle vignette. Instead of adding a colour gradient I thought of achieving this by using a texture. My eye fell on another one from my texture pack:

paper & stone

Tone & texture seemed perfect for a vignette.  So dragged it on to my picture and added a layer mask. I chose a soft brush and erased (painted away) the middle of the texture. (Please take a look at the layers)

Next I had to balance the green tone of the whole photo and added a colour layer. Finally I enhanced the contrast a bit and the picture was almost done. I couldn't resist to add two birds using brushes. Once again I am indebted to the brushes that Shadow House Creations provides:

Bird Brushes

Please check the copy of the layers to see how I blended everything and if you have any questions please don't hesitate to contact me.

Layers Frosty Morning



As mentioned before, the textures I have used are part of my Build your own texture pack .

Thanks for reading!


Comments

  1. this blog is just great! thank you so much!

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  2. I have never heard the word vertorama! Wonderful tutorial!

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